出品：Carnivalesque Films
英文名称：Mardi Gras: Made in China
中文名称：狂欢节: 中国制造
出品时间：2005年
类型：记录
导演：David Redmon
主演：George Michael、Andrew Ridgeley
地区：美国
语言：英语+中文受访原声
字幕：英文
时长：72分钟
官方网址：
http://www.mardigrasmadeinchina.com/
imdb链接：
http://www.imdb.com/title/tt0436569/
文件大小：471.7MB
文件尺寸：720x544
画质：高/略等于DVD画质
下载：
[documentary.globalization]mardi.gras.-.made.in.china.2005.avi
详情：
http://www.verycd.com/files/7703128ad6567ed2d8962f6fa491ef99494641152
旁观中国介绍：
作为“好”的记录片的一种，Mardi Gras: Made in China，符合以下条件（这也适用于“好”的新闻报导）：
文献式的细节，仅就一个关键点以档案文献的方式细致客观收集展现；
数据/数字，翔实的数据要比形容词或煽动描述更能引起观众/读者自发的共鸣——女工们工资多少？何时上下班？每班次的工作量？奖惩的量化标准？老板的利润？老板的投资规模？消费者的购买价格？……
可爱/有趣，产品是狂欢节中的主要物品。这沃尔玛的T恤有趣多了。
互动/互文/（比较或平行蒙太奇），产品连接了异国的生产者和消费者，但记录者把对方的生产/消费场景给另一方看，互动/互文成为进一步被记录的影像；生产者和消费者各自是如何“狂欢”的，中国打工者和老板春节返家记录，美国消费者的节日场景。
关于本片内容，google“Mardi Gras”及“Mardi Gras : Made in China”中/英文网页，结果甚多，仅引用其一，为节简本blog，更多结果请见本blog豆瓣小组本片贴子。
以下介绍来自：http://labor.kcg.gov.tw/museum_new/51%E5%BD%B1%E5%B1%95/%E7%8B%82%E6%AD%A1%E7%AF%80%E5%9C%A8%E4%B8%AD%E5%9C%8B.htm
狂欢节在中国 - 2005 ，美国， 72 分钟，大卫雷蒙
导演大卫雷蒙带领观众到中国福州的狂欢节串珠工厂，充满嘉年华气氛的纽奥良及利用回收串珠创作艺术的纽约艺廊。 经过多年努力，雷蒙终于成功说服唐卡龙（特色附录公司串珠配销商）让他到工厂进行拍摄工作。
本片露揭工厂生活的严苛现实，严格规定以及制作串珠所需的高度自律，并比较制造与消费狂欢节串珠如何为人带来痛苦与欢乐。 看到与自己生活截然不同的影像，有人大呼不平，有人却讶异美国人把衣服脱掉。
总而言之，＜狂欢节在中国＞是一个充满幽默与哀伤的全球化故事，说故事的人有中国串珠工厂的老板，世上最大的狂欢节串珠配销商，参加纽奥良狂欢节互相交换串珠的狂欢者，把丢弃串珠变成艺术的艺术家以及中国工厂四位制作狂欢节串珠的女工。 她们辛苦工作的成果，到头来却被当成垃圾丢弃。 套一句制作人大卫雷蒙的话：这部纪录片讲的是裸露，战争，石油劳工剥削，反抗资本主义社会运动及串珠。
导演
。 大卫雷蒙是一位自学的独立制片家，他协力成立卡利依媒体合作社。 雷蒙以制片为工具，致力于建立人类、社会与经济公义。
" 狂欢节在中国 " 是他的第一支纪录片。 目前雷蒙正在制作的是一部名为 " 边界梦境 " 的记录长片， " 边界梦境 " 的劳工这两个人为北美的消费者制造 " 维多利亚的秘密 " 胸罩。 雷蒙的第三部作品是名为 " 巴勒斯坦一日生活 " 的记录短片。雷蒙全球化系列的最后一部纪录片名为 " 反抗 嘉年华 " ，探讨美洲五年来的直接行动。
Mardi Gras : Made in China（2004，USA，72 min，David Redmon）
Synopsis
Director, David Redmon shows "Mardi Gras : Made in china" that he follows itinerary of Mardi Gras beads from bead factory in Fuzhou, china to the place of carnival, New Orleans and then to exhibition of art works by recycling the beads art galleries in New York city. After two years of coaxing, Redmon finally convinced Dom Carlone(Bead distributor for Accent Annex) to allow him access to the factory. The film exposes the harsh reality of factory life, the tight rules and extreme discipline of beadwork, and the contrasting ways in which pleasure and pain are woven into the making and consuming of Mardi Gras beads. When each group is shown images of the other, their various reactions appear confusedly how the unfair system is kept in place or why Americans take off their clothes. Ultimately, "Mardi Gras: Made in China" is a story of globalization told with humor and sadness by the owner of a bead factory in China; the largest Mardi Gras bead distributor in the world; revelers who exchange beads during the festivities in New Orleans; a bead artist who
transforms the discards into art; and four teenage workers in China who make Mardi Gras beads all for the purpose of tossing them away. To quote the filmmaker, David Redmon, "it's a film that involves nudity, war, oil, exploitation of labor, social movements against capitalism, and beads."
Director :
David Redmon is a self-taught independent filmmaker who assisted in creating the Calle y Media Collective. Redmon is devoted to establishing human, social, and economic justice through the weapon of filmmaking. "Mardi Gras: Made in China" is his first documentary.Currently, Redmon
is completing a feature documentary titled "Border Dreams". "Border Dreams" follows two maquiladora workers in Reynosa, Mexico who produce Victoria's Secret bras for North American consumers. His third work in progress is a documentary short titled "A Day in the Life of Palestine." His final project in the globalization series is titled "Carnivals of Resistance," which addresses five years of direct action in the Americas.
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